It's obvious you've swiped this second page from the first one. At least Erro has the decency to steal from someone other than himself!
In all seriousness, I like watching how things have changed. The first page seems more 'you', with a faster pace and a last panel that grabs you. But I'm also curious why you originally went with a yellow motif for a vampire story? The reds in the new version seem like a more logical choice. Is that why you avoided it on the first go?
While the older one has what should be more interesting perspectives, the straightforward, open spaces in the new version has the slow-paced and ponderous feeling that I enjoy most about your work.
British Artist Darryl Cunningham is a prolific cartoonist. His book Psychiatric Tales is out now from Blank Slate in the UK, and from Bloomsbury in the US. He's currently working on Uncle Bob Adventures, also for Blank Slate. Science Tales is out now from Myriad Editions . Read all about me in this interview.
Review: The Earthbound God
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The Earthbound God Anthea West There is a level of sophistication about
this comic, a graphic novel encompassing a whole story, that is indicative
of what ...
Blank Slate @ Comiket!
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In London this weekend? Catch us at Comica Festival’s Comiket at Central
Saint Martin’s College, where we will be have super advance copies of Dan
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3 comments:
It's obvious you've swiped this second page from the first one. At least Erro has the decency to steal from someone other than himself!
In all seriousness, I like watching how things have changed. The first page seems more 'you', with a faster pace and a last panel that grabs you. But I'm also curious why you originally went with a yellow motif for a vampire story? The reds in the new version seem like a more logical choice. Is that why you avoided it on the first go?
The new version has a better pumpkin. And I like the poor, knackered horse. Just make sure that cool moustache makes it onto the second page!
While the older one has what should be more interesting perspectives, the straightforward, open spaces in the new version has the slow-paced and ponderous feeling that I enjoy most about your work.
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